To boost voice control, aspiring singers should faithfully practice developing their vocal technique. This involves getting the hang of the middle range of the voice. All singers possess a “breaking point,” which is a range of notes that lie in the chest voice and head voice. To eliminate the croakiness and reduction in quality of sound in reaching certain notes, aspiring singers should practice shifting between vocal ranges. Continuous training is key to maintaining an outstanding sound between the high and low ranges.
In our preceding review of vocal resonance, you’ve been introduced to the concept that sound is created when air travels through the vocal cords and bounces through the hallow spaces inside the body. The areas within the throat and mouth that sounds bounce off of are known as the “placement.” A sophisticated vocal method to enhance the quality of your sound requires the manipulation and rearrangement of the surfaces in the voice box to create a higher quality sound.
Two supports that vocalists need to possess keen awareness of adjusting include the soft palette and hard palette within the mouth. The soft palette is the soft tissue found in the rear of the throat. You may feel this tissue if you curl your tongue into the back of your mouth. The hard palette is a skeletal like structure positioned at the front end of the mouth. It provides the roof of your mouth above the tongue.
Oftentimes vocalists will seek to bounce sound waves off of the soft palette, creating a hollower, deeper sound. But aiming the voice towards the hard palette can help amplify sound and will lessen any muffling that occurs when sound waves are bounced from the tissue from the soft palette.
So as to practice the manipulation of space within your mouth, practice the subsequent voice exercise for superior vocal technique. Take a deep breath. Go with a comfortable range and perform the alphabet from A – Z teeth clenched together. Repeat the exercise alphabet, only on this occasion with your teeth slightly apart. Sing the alphabet with the jaw retracted. Sing the alphabet using your jaw retracted as far as possible. Sing the alphabet with your chin raised as high as achievable. Sing the alphabet together with your chin moved as forward as it will go
You ought to realize that the sounds generated by your voice box became distinct with each step of the exercise. For instance, raising the chin should shut down the back of the throat which can minimize your ability to reach higher notes. Singing with clenched teeth reduces projection of sound. Practice this list of exercises faithfully and you may soon find that best positioning of your soft and hard palette for top quality sound.
To learn more about vocal technique and sound placement check out this site dedicated to vocal exercises.
